Modern Architecture
Concrete, glass and light.
A residence shaped by structure, proportion and uncompromising precision.
From the street there is a wall, a line of trees and very little else. The house begins where the street stops looking.
Two materials, and no third
Each blade twists along its length. The screen filters the sun, holds the street at a distance and gives the house a face that changes through the day.
The upper volume is turned to take light without surrendering privacy. The screen performs the work a solid wall would otherwise be asked to do.
The elements that cannot be reproduced by specification.
Concrete, glass and light.
A facade that regulates the sun.
Volume held in proportion.
Slim frames, wide apertures.
Where Ra’anana wants to live.
Glass to the garden on two sides. The room is measured by what it opens onto rather than by its walls.
A single uninterrupted sightline runs from the seating to the kitchen. Nothing crosses it.
The mantle returns upstairs. Morning light arrives already filtered.
An outdoor room held behind the mantle. Open to the sky and closed to the street.
Ground floor and garden sit on a single level. Through the summer the distinction disappears.
Pool, terrace and planting occupy the full width of the plot.
Chosen once, and chosen properly.
Italian, integrated as architecture.
Joinery and metalwork commissioned in Italy.
Concealed distribution throughout.
Centralised control of house systems.
Water within the garden.
Crafted
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